Showing posts with label Love. Show all posts
Showing posts with label Love. Show all posts

Friday, May 4, 2012

Sword, Pearl and Rose

The full moon hung low in the starless sky,
its pale light gleaming off a steel halberd
as the sentry kept watch atop the lofty tower.

He drew his cloak fast around his shoulders.
Mid-winter was scarce a fortnight away,
yet the chill that grazed him now was not the work of nature.

His eyes swept across the barren landscape.
Trees and fields lay dead and fallow,
their once bright hues now dull and lifeless.

A sudden sound engaged his failing senses.
Steel and leather clinked like dripping rain
as a mounted figure approached the gate.

The sentry sighted upon the rider’s shield.
His halberd clanged upon the rough-hewn stones
as he blew his horn both loud and long.

The drawbridge lowered with a crash of thunder.
As a circle of torchlight enveloped the darkness,
the stranger drew near and removed his shabby cowl.

Chestnut hair hung ragged beneath a battered helm .
Eyes of piercing emerald shone in the darkness.
The left one bore a slender scar, running down from brow to cheek.

Two pages came running, their eyes ablaze with relief.
One grasped the reins as his master alighted.
The other bore hot mulled wine, steaming in a silver flagon.

The lord plodded wearily across the bridge,
born down by the weight of arms and armor,
and by sheer exhaustion of both body and soul.

The vaulted roof glowed in the light of the torches.
The lord was relieved of dagger and sword,
and so were the burdens of his helm, shield, and bow.

The clink of mail and clang of steel resounded in the hall.
As his armor was removed, piece by bloodstained piece,
the lord felt new life grow beneath his breast.

A page led the lord down a broad stone corridor,
into a room alight with many candles,
and bathed in the scent of fragrant herbs and oils.

A tub of water lay with its white steam curling into the air.
A sight of paradise as the lord had not seen for many a moon,
he disrobed and allowed the water to ease his weary form.

With his body pitted by ragged scars of battle,
and strands of liquid silver running through his hair,
the servants saw that their master had aged in more than years.

The lord was garbed in a robe of fine silk,
and seated down before a glowing fire.
Its merry light cast dancing shadows over his newly weathered face.

Servants came bearing trays and salvers.
Bread and meats were placed before him,
along with cheese, fruit, and the clearest ale.

Sated in body but not in spirit,
the lord bade his servants to retire,
and moved alone down a torch-lit passageway.

He stopped before doors of oak and iron.
With the strength of a lion but the temperance of a lamb,
he eased them open with nary a sound.

The light of a thousand candles met his eyes,
and the air he breathed was thick with incense.
On the cold, stone floor knelt his wife, beads clasped in her hand. 

Softly at first, but growing in tone,
he spoke aloud the sacred vows
they had exchanged so long ago.

The lady froze and rose to her feet.
Turning slowly with precision and care, she gasped aloud,
her round mouth obscured by her outspread hand.

With widespread eyes, she watched him approach.
As gentle as a breeze and blossom,
he brought her hand up to his lips.

His touch sent shivers through her very being.
His strong arms caught her as she nearly fell
and led her slowly from the room.

To their own chamber he led her now.
Silk brocades and woven rugs, as well as a shelf filled all with books
gleamed in the light of the roaring fire.

In the soft-glowing light of the bedside candle,
the lord examined his wife’s fine features.
The most beautiful sight he’d beheld in years.

Her blue-grey eyes like the steel of a sword,
with skin brightly pale as the finest pearl
and lips deep red as spring’s first rose.

Gazing into her sparkling eyes,
The lord stroked his wife’s smooth cheek
and with a gentle touch removed her veil.

Her long raven locks tumbled down,
like a new-made waterfall splitting the rocks
and gleaming wit the slightest silver.

The lord led his wife to bed,
and as his lips at last touched hers,
he deftly shed her every garment.

In the light of the slowly darkening fire,
her body shone like a pearl set in ivory,
and with one swift motion she cast off his robe.

They slipped into the fur-lined bed,
each one feeling the body of the other.
For a time, they lay silent, green and blue forever entwining.

As the fire grew dark and the candle burned low,
the lord looked toward the chamber door,
his keen ears straining for the slightest sound.

Hearing none, he turned back to his wife.
She wore a smile that could undo the heavens,
and he returned the gesture in kind.

Taking a hold of the silken cord,
he gently closed the velvet curtains,
just as the candle spent its last light.

Tuesday, April 3, 2012

Movie Review: Mad Love


Most people have heard of Katherine of Aragon, the first wife of England's infamous King Henry VIII. Fewer people, perhaps, have heard the story of Juana, Katherine's older sister and wife of Duke Philip of Burgundy. The third daughter of King Ferdinand and Queen Isabella of Spain, Juana's erratic behavior and bouts of hysteria earned her the moniker Juana la Loca ("Joan the Mad"). Spain's official entry for the 2002 Academy Awards, Mad Love captures Juana's story in a powerful and dramatic rendition.

I know very little about Juana's life (although I recently purchased a dual biography of her and Katherine that I plan on reading when able [link]), so cannot fully vouch for the historical accuracy of the film. One thing I can vouch for, however, is the power of performance. Juana (played by Pilar López de Ayala), despite her husband's many infidelities and his attempts to usurp her political power, remains fiercely devoted to him and refuses to let anything stand in her way maintaining both her marriage and her rule. Even at her most erratic moments, de Ayala brings nothing less than pure passion to her portrayal of this vastly misunderstood and powerful woman.

In addition to great performances, the film is superbly costumed, photographed and scored. The only drawback is the narration- every time the narrator describes a scene or plot point, it usually is set several years later along the time line of the film than his previous one, which makes the various sections of the film feel slightly disconnected from each other. Nonetheless, the storyline and powerful performances make the film a must-see for anyone interested in Spanish history

Thursday, March 15, 2012

Book Review: The Castle in the Attic


Along with Lloyd Alexander's The Book of Three, this story was instrumental in establishing my childhood love of fantasy literature. I remember my mother reading it to me, and later reading it on my own. I loved each and every page, and not just because of the story itself. The main character was someone I identified with on several levels, the most significant being his abiding love of gymnastics (a passion of mine from age 5 until age 17).

Ten-year old William Edward Lawrence has been cared for all his life by Mrs. Eleanor Phillips, an English widow who is preparing to return home at the end of the month. Having no children of her own, as a parting gift she bequeaths to William a scaled-down, fully functional stone model of a medieval castle, complete with a figure of a knight in silver armor, that has been in her family for generations. While dreading the departure of his beloved caretaker, William is given the biggest shock of his young life. At his touch, the figure of the silver knight mysteriously comes alive and reveals an incredible story: Sir Simon (the knight) was cheated of his kingdom by an evil wizard who murdered his father and turned Sir Simon into a lead statue. Eventually, using magic stolen by Sir Simon from the wizard himself, William enters the enchanted kingdom of the Silver Knight and embarks on a quest to defeat the tyrant wizard once and for all.

In addition to my personal gymnastics aspect, William was a character who was very easy to relate to. His feelings of anger, sadness, courage and even social awkwardness are things that all children go through at some time or another. In addition, what little boy doesn't enjoy stories of knights, castles and magic?

Overall, The Castle in the Attic is a touching, poignant and very human story about the joys and sorrows of growing up. You could even say that it was my very first introduction to the classic "hero's journey" archetype so important to my later storytelling interests (Star Wars, Harry Potter, The Lord of the Rings ect... ect...). I would highly recommend this story to any child with a love of fantasy, or an adult who wants to recapture some of that sweet, literary magic they enjoyed in their own childhoods.  

Saturday, March 3, 2012

Book Review: The Silver Lotus


"Like father, like son". This is one phrase that we hear all the time, and was probably one of the first we heard as children. In the case of Thomas Steinbeck, eldest son of legendary American author John Steinbeck, however, this saying has never been more true. I was a fan of the father's work in high school (The Red Pony, The Pearl, Of Mice and Men), and now have discovered the literary magic of the son through his magnificent novel The Silver Lotus.

Spanning roughly from the 1890's until the 1910's (though this is difficult to determine, since actual dates are mentioned maybe three times in the entire book), The Silver Lotus takes its title from the name of its main character: Lady Yee is the youngest daughter of a wealthy merchant in the Chinese port city of Canton. Unsurpassed in beauty and unbelievably intelligent, Lady Yee is the jewel of her father's existence.

On the surface, captain Jeremiah Macy Hammond is the last person one would expect to be integrated into such a prominent Chinese family (an American merchant captain descended from a Nantucket whaling family). Nonetheless, his fine morals, deep sense of dignity and shrewd yet honest business ways earn him the singular honor of Lady Yee's hand in marriage.

Together, Captain Hammond and Lady Yee have many adventures sailing and trading across the Pacific, and when they finally settle down in Monterey, California, Lady Yee's almost superhuman instincts of perception combine with her husband's vast business network to profoundly change the sociopolitical culture and situation of ethnic minorities of the California coast.

The most remarkable feature about Steinbeck Jr.'s work is that the book contains very little dialog. In 342 pages the amount of actual spoken words adds up to perhaps five pages at most- hence the entire story is told in retrospect, making the reader feel like they are reading a historical account. Its been a while since I read anything by Steinbeck Sr., so I don't recall if this was his style as well. Nonetheless, it was still a very interesting literary technique.

Although some are extensively featured and others are only a passing reference, the sheer number of cultures, nationalities and religions (not to mention their foods, clothes and vast amounts of trade goods) paints an almost global picture of the late 19th and early 20th centuries while still focusing on the simple and loving relationship between an American merchant captain and his beautiful Chinese wife.

Thomas Steinbeck has written other books besides this one, and they apparently have been well received. Whether I will eventually read them or not is uncertain, but one thing is certain; in his firm grasp of characters and storytelling, Steinbeck Jr. is every bit as good as his father, and perhaps in some instances has even surpassed him.

Saturday, February 11, 2012

Book Review: For the King's Favor


Having become enthralled with Elizabeth Chadwick's masterful portrayal of William Marshal in The Greatest Knight and The Scarlet Lion, my eye naturally turned to her other works. One of those works was For the King's Favor, which chronicles the life of Roger Bigod.

A contemporary of William Marshal, Roger Bigod is born heir to the earldom of Norfolk, but his succession is by no means guaranteed. His father leads a rebellion against King Henry II (and perishes in the process), forcing Roger to walk an extremely delicate path to remain in royal favor. In addition, his half-brother campaigns fiercely to gain rights to the inheritance, resulting in a 20-year long debate.

Roger, however, is only half the story. The leading lady of the novel is Ida de Tosney. Starting out as the 15-year old mistress of King Henry, Ida finds favor in the court. She later desires a legitimate marriage with Roger, but to secure the King's permission, she must leave behind her infant son, fathered by Henry, to be raised in the royal household.

Many of the events in this story parallel the same time line as Chadwick's works about William Marshal, so it was interesting to see those same events viewed from another person's perspective. Chadwick also does a brilliant job portraying the blossoming romance between Ida and Roger, as well as the family dynamics that develop between their children, the supporting characters and Ida's son by Henry.

More than anything else, Chadwick has written very human characters. Despite the 800-year divide that separates their time from ours, the situations in their personal lives (love vs. duty, raising children and family quarrels) can no doubt be related to by modern society on a multitude of levels.