Showing posts with label Middle Ages. Show all posts
Showing posts with label Middle Ages. Show all posts

Friday, May 4, 2012

Sword, Pearl and Rose

The full moon hung low in the starless sky,
its pale light gleaming off a steel halberd
as the sentry kept watch atop the lofty tower.

He drew his cloak fast around his shoulders.
Mid-winter was scarce a fortnight away,
yet the chill that grazed him now was not the work of nature.

His eyes swept across the barren landscape.
Trees and fields lay dead and fallow,
their once bright hues now dull and lifeless.

A sudden sound engaged his failing senses.
Steel and leather clinked like dripping rain
as a mounted figure approached the gate.

The sentry sighted upon the rider’s shield.
His halberd clanged upon the rough-hewn stones
as he blew his horn both loud and long.

The drawbridge lowered with a crash of thunder.
As a circle of torchlight enveloped the darkness,
the stranger drew near and removed his shabby cowl.

Chestnut hair hung ragged beneath a battered helm .
Eyes of piercing emerald shone in the darkness.
The left one bore a slender scar, running down from brow to cheek.

Two pages came running, their eyes ablaze with relief.
One grasped the reins as his master alighted.
The other bore hot mulled wine, steaming in a silver flagon.

The lord plodded wearily across the bridge,
born down by the weight of arms and armor,
and by sheer exhaustion of both body and soul.

The vaulted roof glowed in the light of the torches.
The lord was relieved of dagger and sword,
and so were the burdens of his helm, shield, and bow.

The clink of mail and clang of steel resounded in the hall.
As his armor was removed, piece by bloodstained piece,
the lord felt new life grow beneath his breast.

A page led the lord down a broad stone corridor,
into a room alight with many candles,
and bathed in the scent of fragrant herbs and oils.

A tub of water lay with its white steam curling into the air.
A sight of paradise as the lord had not seen for many a moon,
he disrobed and allowed the water to ease his weary form.

With his body pitted by ragged scars of battle,
and strands of liquid silver running through his hair,
the servants saw that their master had aged in more than years.

The lord was garbed in a robe of fine silk,
and seated down before a glowing fire.
Its merry light cast dancing shadows over his newly weathered face.

Servants came bearing trays and salvers.
Bread and meats were placed before him,
along with cheese, fruit, and the clearest ale.

Sated in body but not in spirit,
the lord bade his servants to retire,
and moved alone down a torch-lit passageway.

He stopped before doors of oak and iron.
With the strength of a lion but the temperance of a lamb,
he eased them open with nary a sound.

The light of a thousand candles met his eyes,
and the air he breathed was thick with incense.
On the cold, stone floor knelt his wife, beads clasped in her hand. 

Softly at first, but growing in tone,
he spoke aloud the sacred vows
they had exchanged so long ago.

The lady froze and rose to her feet.
Turning slowly with precision and care, she gasped aloud,
her round mouth obscured by her outspread hand.

With widespread eyes, she watched him approach.
As gentle as a breeze and blossom,
he brought her hand up to his lips.

His touch sent shivers through her very being.
His strong arms caught her as she nearly fell
and led her slowly from the room.

To their own chamber he led her now.
Silk brocades and woven rugs, as well as a shelf filled all with books
gleamed in the light of the roaring fire.

In the soft-glowing light of the bedside candle,
the lord examined his wife’s fine features.
The most beautiful sight he’d beheld in years.

Her blue-grey eyes like the steel of a sword,
with skin brightly pale as the finest pearl
and lips deep red as spring’s first rose.

Gazing into her sparkling eyes,
The lord stroked his wife’s smooth cheek
and with a gentle touch removed her veil.

Her long raven locks tumbled down,
like a new-made waterfall splitting the rocks
and gleaming wit the slightest silver.

The lord led his wife to bed,
and as his lips at last touched hers,
he deftly shed her every garment.

In the light of the slowly darkening fire,
her body shone like a pearl set in ivory,
and with one swift motion she cast off his robe.

They slipped into the fur-lined bed,
each one feeling the body of the other.
For a time, they lay silent, green and blue forever entwining.

As the fire grew dark and the candle burned low,
the lord looked toward the chamber door,
his keen ears straining for the slightest sound.

Hearing none, he turned back to his wife.
She wore a smile that could undo the heavens,
and he returned the gesture in kind.

Taking a hold of the silken cord,
he gently closed the velvet curtains,
just as the candle spent its last light.

Wednesday, March 7, 2012

Movie Review: Marco Polo


I first came upon this film without the faintest idea of the brilliance in store. It was August 8th 2008, mere hours before the opening ceremony for the Beijing Olympics was set to begin. I was browsing the "Free Movies on Demand" channel with my father and this title came up. Interested, we set it to play, and I was awed as I rarely have been in my entire life.

The film chronicles the incredible story of the Venetian trader who, at barely twenty years of age, traversed practically the entire breadth of the Asian continent and spent over a decade in service of the legendary Mongol emperor of China, Kublai Khan. Facing danger at every turn, both inside and outside the confines of the palace, young Marco saw wonders that most other Europeans would not behold for centuries and wrote perhaps the world's most famous travel guide, which (according to the ending scene of the film) has never been out of print since its first publication nearly 800 years ago.

In films like this, the issue of historical accuracy is always a prominent one. I don't claim to be an expert on the period, yet I had my doubts about certain aspects portrayed in the film; some seemed to have been created merely as romanticizing elements to further the story, yet others have proven, based on my recent research and observations, to be surprisingly correct. Regardless of specific inaccuracies, one thing the film did exceptionally well was show the contrasts between Europe and China (culturally, technologically and intellectually) which, at this time (13th century), were very significant.

The film was not big on special effects by any means (if anything there was a noticeable lack of them), but that was hardly an issue. I did have some qualms-perhaps not initially but after wards- about the casting choices (namely Ian Somerhalder and Brian Dennehy, an American and Irishman, respectively, playing famous Italian and Chinese historical figures), but lavish sets, costumes and cinematography, coupled with dramatic storytelling and fascinating characters affected me in ways that few other movies ever have. So much so, that I re-watched the movie about a dozen more times over the following two weeks and got my hands on the DVD (which contained a lot of extra footage) at the first opportunity. 

Saturday, February 11, 2012

Book Review: For the King's Favor


Having become enthralled with Elizabeth Chadwick's masterful portrayal of William Marshal in The Greatest Knight and The Scarlet Lion, my eye naturally turned to her other works. One of those works was For the King's Favor, which chronicles the life of Roger Bigod.

A contemporary of William Marshal, Roger Bigod is born heir to the earldom of Norfolk, but his succession is by no means guaranteed. His father leads a rebellion against King Henry II (and perishes in the process), forcing Roger to walk an extremely delicate path to remain in royal favor. In addition, his half-brother campaigns fiercely to gain rights to the inheritance, resulting in a 20-year long debate.

Roger, however, is only half the story. The leading lady of the novel is Ida de Tosney. Starting out as the 15-year old mistress of King Henry, Ida finds favor in the court. She later desires a legitimate marriage with Roger, but to secure the King's permission, she must leave behind her infant son, fathered by Henry, to be raised in the royal household.

Many of the events in this story parallel the same time line as Chadwick's works about William Marshal, so it was interesting to see those same events viewed from another person's perspective. Chadwick also does a brilliant job portraying the blossoming romance between Ida and Roger, as well as the family dynamics that develop between their children, the supporting characters and Ida's son by Henry.

More than anything else, Chadwick has written very human characters. Despite the 800-year divide that separates their time from ours, the situations in their personal lives (love vs. duty, raising children and family quarrels) can no doubt be related to by modern society on a multitude of levels.  

Friday, December 16, 2011

Book Review: The Scarlet Lion

Sequel to The Greatest Knight (see link)

The year is 1197, and William Marshal is riding high. Having taken in marriage the wealthy and formidable (not to mention beautiful) Irish countess Isabelle de Clare, Marshal has four delightful children in his life (6 more would come in later years) and enjoys the position of of one of King Richard the Lionheart's most trusted and competent commanders. 

However, his life would soon take a dramatic downturn. After Richard's death, his unscrupulous and power-hungry brother John inherits the throne. As different from Richard as can be imagined, John slowly pick's apart William and Isabelle's lives bit by bit, even demanding their eldest sons as hostages to endure their "good faith". William remains loyal to John through it all, but it takes ever more demeaning displays of prostration to retain even a modicum of royal favor.

The situation takes a toll not only on William's standing within the court and realm, but on his marriage and relationship with his heir. Pressured from more directions than ever before, William and Isabelle are tested to the limits, and failing that test could mean disaster for the entire kingdom.

Although author Elizabeth Chadwick states that The Scarlet Lion can be read independently of its prequel (see The Greatest Knight), I believe it would be much easier to read the books in order, since the first volume contains so much backstory of the main characters. In any case, Chadwick has done an excellent job chronicling the second half of the life of one of England's most extraordinary heroes.  

Sunday, November 20, 2011

Book Review: Dragons from the Sea

Sequel to Viking Warrior (See [link])

Judson Roberts has crafted a masterful second chapter in his already spellbinding historical fiction series. Not only has he expanded the physical scope of the world and culture of the vikings, but his characters begin to display more and more layers to their personalities, drawing the reader ever closer to the sights and sounds of the Middle Ages. Above all, the overriding theme of this volume is the vikings' strict code of honor and morality, and how the popular image of these people as savage brutes is disproved time and time again.

For someone who until recently knew only the life of a slave, its amazing how much young Halfdan Hrorikson has accomplished in a matter of weeks. After fleeing the pursuit of the henchmen of his treacherous step-brother Toke (and killing many of them in the process), Halfdan arrives at the Danish capital of Hedeby, where he joins the crew of a longship preparing to mount a massive raid into the heartland of the Frankish Empire (modern-day France). By proving his service in war, Haldan hopes to gain a powerful set of allies to help him in his quest for revenge against Toke.

However, acceptance does not come quickly, with many warriors and crew members skeptical about Halfdan's youth (he's only just turned 15) and inexperience in battle. Yet with his dazzling skill in archery, Halfdan eventually becomes one of the most valuable members of the ship's crew (and his ability to speak Latin comes in mighty handy as well).

Once in Frankia, things do not always go smoothly for Halfdan (he kills members of his own army and scuffles with one of Toke's cronies), but the most dramatic episode of his experience is completely unexpected. While out on a scouting mission, he encounters Genevieve, the daughter of a Frankish nobleman who was forced by her father into a nunnery (more on that later), whom he captures and intends to ransom. The Frankish perception of the Danes is as savage killers, but Halfdan and Genevieve develop an unlikely rapport, and perhaps their lives run more parallel to each other than either of them realize.  

Book Review: The Greatest Knight


Sometimes in life and often completely at random, we stumble onto an item or situation that profoundly affects out tastes, mindset and even personal choices. Such a thing happened to me when I came upon the marvelous writings of Ms. Elizabeth Chadwick.

As author specializing in the Plantagenet dynasty of the Middle Ages, Chadwick crafts spellbinding tales woven through with wonderfully rich and historic detail. One day I saw her book at Barnes & Noble and decided to try it. By the end of that summer, I was completely hooked.

The Greatest Knight tells the story of William Marshal, an English-born low-ranking nobleman who won great renown through his considerable skill at arms, but also through his many years of service to nearly all the members of the royal family in the second half of the 12th century. A model of integrity and chivalrous behavior, William's steadfast character earns him as many enemies as it does friends, and multiple times he must draw on all his strength and sense of honor in order to prevail.

Chadwick draws heavily on both historical commentary and primary source material (according to her "Author's Note", William Marshal was the first Englishman about whom a secular biography was written) to create a story unparalleled in richness and beauty. One that has earned her numerous accolades from some of today's most prominent historical and literary critics.