Movie Review: Marco Polo

 

I first came upon this film without the faintest idea of the brilliance in store. It was August 8th 2008, mere hours before the opening ceremony for the Beijing Olympics was set to begin. I was browsing the "Free Movies on Demand" channel with my father and this title came up. Interested, we set it to play, and I was awed as I rarely have been in my entire life.

The film chronicles the incredible story of the Venetian trader who, at barely twenty years of age, traversed practically the entire breadth of the Asian continent and spent over a decade in service of the legendary Mongol emperor of China, Kublai Khan. Facing danger at every turn, both inside and outside the confines of the palace, young Marco saw wonders that most other Europeans would not behold for centuries and wrote perhaps the world's most famous travel guide, which (according to the ending scene of the film) has never been out of print since its first publication nearly 800 years ago.

In films like this, the issue of historical accuracy is always a prominent one. I don't claim to be an expert on the period, yet I had my doubts about certain aspects portrayed in the film; some seemed to have been created merely as romanticizing elements to further the story, yet others have proven, based on my recent research and observations, to be surprisingly correct. Regardless of specific inaccuracies, one thing the film did exceptionally well was show the contrasts between Europe and China (culturally, technologically and intellectually) which, at this time (13th century), were very significant.

The film was not big on special effects by any means (if anything there was a noticeable lack of them), but that was hardly an issue. I did have some qualms-perhaps not initially but after wards- about the casting choices (namely Ian Somerhalder and Brian Dennehy, an American and Irishman, respectively, playing famous Italian and Chinese historical figures), but lavish sets, costumes and cinematography, coupled with dramatic storytelling and fascinating characters affected me in ways that few other movies ever have. So much so, that I re-watched the movie about a dozen more times over the following two weeks and got my hands on the DVD (which contained a lot of extra footage) at the first opportunity. 

Book Review: The Silver Lotus

"Like father, like son". This is one phrase that we hear all the time, and was probably one of the first we heard as children. In the case of Thomas Steinbeck, eldest son of legendary American author John Steinbeck, however, this saying has never been more true. I was a fan of the father's work in high school (The Red Pony, The Pearl, Of Mice and Men), and now have discovered the literary magic of the son through his magnificent novel The Silver Lotus.

Spanning roughly from the 1890's until the 1910's (though this is difficult to determine, since actual dates are mentioned maybe three times in the entire book), The Silver Lotus takes its title from the name of its main character: Lady Yee is the youngest daughter of a wealthy merchant in the Chinese port city of Canton. Unsurpassed in beauty and unbelievably intelligent, Lady Yee is the jewel of her father's existence.

On the surface, captain Jeremiah Macy Hammond is the last person one would expect to be integrated into such a prominent Chinese family (an American merchant captain descended from a Nantucket whaling family). Nonetheless, his fine morals, deep sense of dignity and shrewd yet honest business ways earn him the singular honor of Lady Yee's hand in marriage.

Together, Captain Hammond and Lady Yee have many adventures sailing and trading across the Pacific, and when they finally settle down in Monterey, California, Lady Yee's almost superhuman instincts of perception combine with her husband's vast business network to profoundly change the sociopolitical culture and situation of ethnic minorities of the California coast.

The most remarkable feature about Steinbeck Jr.'s work is that the book contains very little dialog. In 342 pages the amount of actual spoken words adds up to perhaps five pages at most- hence the entire story is told in retrospect, making the reader feel like they are reading a historical account. Its been a while since I read anything by Steinbeck Sr., so I don't recall if this was his style as well. Nonetheless, it was still a very interesting literary technique.

Although some are extensively featured and others are only a passing reference, the sheer number of cultures, nationalities and religions (not to mention their foods, clothes and vast amounts of trade goods) paints an almost global picture of the late 19th and early 20th centuries while still focusing on the simple and loving relationship between an American merchant captain and his beautiful Chinese wife.

Thomas Steinbeck has written other books besides this one, and they apparently have been well received. Whether I will eventually read them or not is uncertain, but one thing is certain; in his firm grasp of characters and storytelling, Steinbeck Jr. is every bit as good as his father, and perhaps in some instances has even surpassed him.

Book Review: Nobody's Prize

Sequel to Nobody's Princess (see link)

Although it covers a significantly shorter time span than its prequel, Esther Friesner's second novel about Helen of Troy's early life is even more jam-packed with adventure, mystery and outright good storytelling than Nobody's Princess. Continuing to immerse the reader in the authentic world of the Late Bronze Age, Nobody's Prize considerably broadens young Helen's horizons, both physically and metaphorically.

She's fourteen years old and everyone expects her to marry, but Helen has already shattered all convention by receiving armed combat training, participating in the Calydonian Boar Hunt and now, disguised as a boy, has snuck aboard the famed ship the Argo to sail across the world on search of the legendary Golden Fleece.

Keeping one's identity secret aboard a crowded ship is no easy task, and soon everybody recognizes Helen for what she is (although relatively few know who she is). As if this were not enough, the young Spartan Princess narrowly avoids death before escaping the eastern kingdom of Colchis. On her way home Helen is taken prisoner by King Theseus of Athens and will be forced to marry him unless she can come up with a plan to escape and return to Sparta.

While giving fresh faces to already famous mythological characters- the legendary poet Orpheus, the mighty yet tragic hero Heracles (Hercules) and the disturbed yet dangerous enchantress Medea- Nobody's Prize contains a fine balance of action, drama and all the storytelling talent expected of an experienced tale weaver.